
- Joel Zuckerman ’83 and legendary golf course designer Pete Dye share a love of the game as well as successful later-in-life career changes.
Anyone in my profession would have jumped at the chance.
It was tremendous good fortune to be chosen by Pete
Dye’s family to
write the authorized celebration of the patriarch’s remarkable half-century
career. My fifth book, due out in September, is Pete
Dye: Golf Courses—50 Years of Visionary Design.
The golf courses that Pete has created are a de facto honor roll of
the most celebrated venues in the modern game. A “Who’s Who” list includes
Harbour
Town, the Ocean
Course, TPC Sawgrass, Whistling
Straits, and
Teeth
of the Dog. There are over 100 more. Add in the work of his two
sons, Perry and P.B., and his nephews and niece, and the list of Dye
designs swells to more than 250 courses, in all corners of the globe.
I covered as much ground as possible during my grueling, yearlong “Dye-tinerary,”
though I eschewed last-minute entreaties to wander off to China and
Guatemala, among other exotic locales. The peripatetic Dye family visits
other continents like the rest of us visit the grocery store—casually,
and with little forethought, though I’m not wired the same way.
Being chosen by the Dyes themselves from among nearly 1,000 potential
candidates (the total membership of the Golf
Writers Association of America) to execute this 300-plus-page, full-color celebration of Pete’s
career is the unquestioned highlight of my writing life, and can best
be described as a metallurgical medley—a golden opportunity, platinum
frequent-flyer status, and an iron game that disappointed me from coast
to coast and beyond.
For me, 2007 was all-Dye, all-day, and has been the culmination, at
least to this point, of a call to writing that began when I answered
a classified ad in the Savannah Morning News in
the autumn of 1997. The seven words that pin-balled me in a different
direction: “Wanted—golf writer for Hilton Head newspaper.”
For some 15 post-college years I tried and ultimately rejected various
careers like so many ill-fitting suits. First it was selling office
machinery, then magazine advertising. I spent a number of years in
the commodities markets, located in the shadow of the twin towers in
lower Manhattan. Eventually I returned to Western Massachusetts and
started a small vending company, dispensing junk food for coinage in
blue-collar outposts from greater Hartford to Northampton. Like the
aforementioned suits, it wasn’t that these occupational gambits weren’t
comfortable; they just didn’t feel quite right.
My regular newspaper column eventually led to a few regional magazine
pieces. Then I got a toehold in the door at Sports
Illustrated, which
led to assignments in many major golf and airline publications. The
first book debuted in 2003, the encore in 2005, and then two more were
published in ’05 and ’06. Like an acting hopeful who begins in regional
theater, I went from publishing in the sticks of South Carolina, then
to Kansas City, Ann Arbor, and finally, with this latest effort, New
York.
Pete Dye is a genius, a workaholic, a visionary, an octogenarian giant
and a brand new member of golf’s
Hall of Fame. It was fortuitous to
be given the opportunity to chronicle his collected body of work,
and I will always be indebted to Pete and the Dye family.


